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HERA LINDSAY BIRD [18.948]

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HERA LINDSAY BIRD

Nació en Thames, Nueva Zelanda en 1987.
Actualmente vive en Wellington. Fue ganadora en 2009 de the Story! Inc. Prize for Poetry and the Maurice Gee Prize in Children's Writing.




KEATS ESTÁ MUERTO ASÍ QUE FÓLLAME POR DETRÁS

Keats está muerto así que fóllame por detrás
Despacio y con propósitos carnales
En una tarde oscura en pleno invierno
Mientras los niños vuelven a casa de la escuela
Quítame las medias con los dientes
Coleridge está muerto y Auden también
De la risa y bien abrigados
Shelley murió en el mar y su corazón no arderá
& Wordsworth ..........................................................
Nunca hallaron su cuerpo 
Su viuda loca de pena, dejándose las uñas en un campo vacío
Byron, Whitman, nuestro perro aplastado por la puerta del garaje
Hazme un dedo despacio
En el paisaje nevado de tu infancia
Nuestros muertos flotando por debajo de la superficie de la tierra
Clávamela como a una profesora sustituta
& lléname el depósito de flechas estremecidas
Oh vulnerabilidad emocional
Canción folclórica bosnia, pájaros en la chimenea
Dime lo que te gusta cuando creas que no escucho
Wallace Stevens, su madre lo llama a cenar
Pero no acudirá, está muerto también, murió hace sesenta años
Y a nadie le importó en su funeral
La vida es real
Y los días cansan como el estampado de leopardo
Cómeme el coño por detrás
Bill Manhire tampoco volverá a ser joven

-- poema de Hera Lindsay Bird (Thame, New Zealand - 1987)

http://thespinoff.co.nz/featured/11-07-2016/the-monday-extract-keats-is-dead-so-fuck-me-from-behind-by-hera-lind

-- traducción de urgencia de Tive Martínez 




Keats is Dead so Fuck me From Behind

Keats is dead so fuck me from behind
Slowly and with carnal purpose
Some black midwinter afternoon
While all the children are walking home from school
Peel my stockings down with your teeth
Coleridge is dead and Auden too
Of laughing in an overcoat
Shelley died at sea and his heart wouldn't burn
& Wordsworth……………………………………………..
They never found his body
His widow mad with grief, hammering nails into an empty meadow
Byron, Whitman, our dog crushed by the garage door
Finger me slowly
In the snowscape of your childhood
Our dead floating just below the surface of the earth
Bend me over like a substitute teacher
& pump me full of shivering arrows
O emotional vulnerability
Bosnian folk-song, birds in the chimney
Tell me what you love when you think I'm not listening
Wallace Stevens's mother is calling him in for dinner
But he's not coming, he's dead too, he died sixty years ago
And nobody cared at his funeral
Life is real
And the days burn off like leopard print
Nobody, not even the dead can tell me what to do
Eat my pussy from behind
Bill Manhire's not getting any younger



Monica

Monica
Monica
Monica
Monica Geller off popular sitcom F.R.I.E.N.D.S
Is one of the worst characters in the history of television
She makes me want to wash my hands with hand sanitizer
She makes me want to stand in an abandoned Ukrainian parking lot
And scream her name at a bunch of dead crows
Nobody liked her, except for Chandler
He married her, and that brings me to my second point
What kind of a name for a show was F.R.I.E.N.D.S
When two of them were related
And the rest of them just fucked for ten seasons?
Maybe their fucking was secondary to their friendship
Or they all had enough emotional equilibrium
To be able to maintain a constant state of mutual-respect
Despite the fucking
Or conspicuous nonfucking
That was occurring in their lives
But I have to say
It just doesn’t seem emotionally realistic
Especially considering that
They were not the most self-aware of people
And to be able to maintain a friendship
Through the various complications of heterosexual monogamy
Is enormously difficult
Especially when you take into consideration
What cunts they all were

I fell in love with a friend once
And we liked to congratulate each other what good friends we were
And how it was great that we could be such good friends, and still fuck
Until we stopped fucking
And then we weren’t such good friends anymore

I had a dream the other night
About this friend, and how we were walking
Through sunlight, many years ago
Dragged up from the vaults, like
Old military propaganda
You know the kind; young women leaving a factory
Arm in arm, while their fiancées
Are being handsomely shot to death in Prague
And even though this friend doesn’t love me anymore
And I don’t love them
At least, not in a romantic sense
The memory of what it had been like not to want
To strap concrete blocks to my head
And drown myself in a public fountain rather than spend another day
With them not talking to me
Came back, and I remembered the world
For a moment, as it had been
When we had just met, and love seemed possible
And neither of us resented the other one
And it made me sad
Not just because things ended badly
But more broadly
Because my sadness had less to do with the emotional specifics of that situation
And more to do with the transitory nature of romantic love
Which is becoming relevant to me once again
Because I just met someone new
And this dream reminded me
That, although I believe that there are ways that love can endure
It’s just that statistically, or
Based on personal experience
It’s unlikely that things are going to go well for long
There is such a narrow window
For happiness in this life
And if the past is anything to go by
Everything is about to go slowly but inevitably wrong
In a non-confrontational, but ultimately disappointing way

Monica
Monica
Monica
Monica
Monica Geller from popular sitcom F.R.I.E.N.D.S
Was the favourite character of the Uber driver
Who drove me home the other day
And is the main reason for this poem
Because I remember thinking Monica???
Maybe he doesn’t remember who she is
Because when I asked him specifically
Which character he liked best off F.R.I.E.N.D.S
He said ‘the woman’
And when I listed their names for him
Phoebe, Rachel and Monica
He said Monica
But he said it with a kind of question mark at the end
Like……. Monica?
Which led me to believe
Either, he was ashamed of liking her
Or he didn’t know who he was talking about
And had got her confused with one of the other
Less objectively terrible characters.
I think the driver meant to say Phoebe
Because Phoebe is everyone’s favourite
She once stabbed a police officer
She once gave birth to her brother’s triplets
She doesn’t give a shit what anyone thinks about her
Monica gives a shit what everyone thinks about her
Monica’s parents didn’t treat her very well
And that’s probably where a lot of her underlying insecurities come from
That have since manifested themselves in controlling
And manipulative behaviour
It’s not that I think Monica is unredeemable
I can recognize that her personality has been shaped
By a desire to succeed
And that even when she did succeed, it was never enough
Particularly for her mother, who made her feel like her dreams were stupid
And a waste of time
And that kind of constant belittlement can do fucked up things to a person
So maybe, getting really upset when people don’t use coasters
Is an understandable, or at least comparatively sane response
To the psychic baggage
Of your parents never having believed in you
Often I look at the world
And I am dumbfounded that anyone can function at all
Given the kind of violence that
So many people have inherited from the past
But that’s still no excuse to throw
A dinner plate at your friends, during a quiet game of Pictionary
And even if that was an isolated incident
And she was able to move on from it
It still doesn’t make me want to watch her on TV
I am falling in love and I don’t know what to do about it
Throw me in a haunted wheelbarrow and set me on fire
And don’t even get me started on Ross





Hooting

This night 
take off your furious jacket. 
You new in the river and me new in the river beside you. 
Your body is lacquered and cold. My head is raw with it.

You found a spider in your hand. You held it like an almond. 
I found your wild eyelid between my fingers 
and kind of got the feel of it. 
We walk back towards your parent's house 
the roses are smashing into each other. 
Tell me what you are afraid of.

*

Your mattress is numb with flowers 
your gliding thigh 
the lung of your thigh 
when you kiss me your mouth is boneless 
but hey, lets relax.

I pressed my face up against 
your red owl heart 
your yellow owl heart. 
You were hooting.

*

Inside your window the moon is halved 
antique crows 
the dark fire of bees

If I could come back to this time 
I would come back to this time 
I kind of got the feel of it.









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